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The fireworks continued at Sunday's show in Newark, New Jersey, where Taylor Swift celebrated her video of the year win for "All Too Well" by announcing new album "Midnights." Elsewhere during the ceremony, Eminem and Snoop Dogg teamed up for a non-fungible token-inspired performance, while Video Vanguard Award honoree Nicki Minaj brought a stripper pole to the Prudential Center stage for a career-spanning medley of her greatest hits.
Here's our ranking of the best and worst performances from the night:
13. Eminem and Snoop Dogg, ‘From the D 2 the LBC’
Two rap icons, taking the VMAs stage together for their first collaboration in two decades. It should’ve been an instant highlight of this year’s show – but instead, Eminem and Snoop Dogg’s “From the D 2 the LBC” got lost in the metaverse. The hip-hop stars used Bored Ape Yacht Club NFTs for the song's music video and took the sidelines for the bulk of Sunday’s “performance” as their cartoon avatars rapped inside an oversized pinball machine and spider web, among other computer-generated locales. It was only toward the end of the song that it finally came alive, as Eminem and Snoop “woke up” on a couch onstage and finished the track in person. Props for trying something different, but maybe keep your NFT away from our MTV next time.
On Sunday, Brown became the first male country singer ever to perform at the VMAs. Bathed in green and blue neon lights on an outdoor stage, the 28-year-old crossover artist made every moment count as he sang a sprightly rendition of “Grand,” his pop-leaning anthem about appreciating the big and small things in life.
Khalid’s silky vocals were characteristically flawless, as he and electronic artist Marshmello took the stage to perform the upbeat team-up “Numb,” their second collaboration after 2017’s “Silence.” If only we could’ve actually seen what was going on: Because of a psychedelic camera filter, much of the performance was extremely blurred and out of focus, with multiple viewers complaining on Twitter that it made them dizzy.
The K-pop quartet made their VMAs debut in sensational style, appearing from a cloud of pink smoke to perform their latest single “Pink Venom.” Dressed in all black and flanked by backup dancers, the girl group deftly executed tight choreography that was as punchy and sultry as the song’s lyrics.
The Colombian superstars took over the telecast early in the night for a raunchy rendition of their collaboration “Nivel de Perreo,” backed by a line of faceless, latex-clad dancers straight out of “American Horror Story.” But the real scene-stealer was a hologram of a giant, silvery woman in a bikini, bringing some “Jack and the Beanstalk” realness to the VMAs as she twerked and towered over the crowd for the song’s entire three minutes.
Bad Bunny, who played a pair of headlining shows at New York’s Yankee Stadium this weekend, delivered a dynamic remote performance of “Tití Me Preguntó,” from his chart-dominating fifth album “Un Verano Sin Ti.” The sunglass-clad reggaeton superstar had no trouble captivating the enormous stadium audience, making the VMAs feel like his own personal concert as he set Twitter ablaze by kissing male and female dancers.
7. Lizzo, ‘About Damn Time' and '2 Be Loved (Am I Ready)’
After singing a few bars of her infectious No. 1 hit “About Damn Time,” Lizzo channeled Tom Hanks circa 1988’s “Big”: playing a light-up floor piano with her feet as she launched into her high-energy new single “2 Be Loved (Am I Ready).” Performing upstage and away from the audience, she sometimes got lost among the eye-popping projections. Still, it was hard not to get swept up in the genre-smashing artist’s enthusiasm, particularly as she danced in a bubblegum pink ensemble against a backdrop of dozens of miniature Lizzos.
6. Panic! At the Disco, 'Don’t Let the Light Go Out'
Brendon Urie’s unmistakable voice was on display in “Don’t Let the Light Go Out,” as the frontman crooned directly to the camera before jamming with his band on the hood of a car. Pyrotechnics lit up the backdrop as the performance went from black and white to color, delivering a genuinely thrilling climax to this year’s ceremony.
If you didn't know Måneskin before the VMAs, you probably do now. The glam rock up-and-comers took the stage for a fiery performance of “Supermodel,” with lead singer Damiano David flashing his bare bum to the audience while rocking leather chaps. But midway through the exhilarating track, the camera abruptly cut away to rows of empty seats. It was later revealed that bassist Victoria De Angelis had suffered a wardrobe malfunction when her top fell down and exposed her breasts. The camera eventually returned to Måneskin for a sweaty (and safely covered) finish, making "Supermodel" a performance we won't soon forget.
Anitta, who won the best Latin award for the viral hit “Envolver,” is quickly proving why she’s one of the fastest-rising stars in the U.S. right now. Descending a white set of stairs in a red bodysuit, the Brazilian singer oozed personality as she led her dancers in some genuinely steamy, and then joyous, choreography.
3. Red Hot Chili Peppers, ‘Black Summer’ and ‘Can’t Stop’
Sometimes, all you need are instruments and a stage. Red Hot Chili Peppers forewent any bells and whistles for their VMAs performance, putting their fierce musicianship front and center as they blazed their way through the new song “Black Summer” and set-list staple “Can’t Stop.” The veteran rockers, who took home the Global Icon Award, were the epitome of cool in red fishnet shirts and high yellow socks, with pink-haired bassist Flea earning screams as he cheekily gyrated during the electrifying intro of “Can’t Stop.”
2. Nicki Minaj, Video Vanguard Award medley ('Super Freaky Girl,' 'Anaconda' and more)
And that’s why she’s called the queen of rap. As this year’s recipient of the Video Vanguard Award, which honors an artist’s impact on music videos and pop culture, Minaj blew through nearly a dozen of her most recognizable songs in a bedazzled pink getup, complete with a giant bow. After a too-rushed beginning that didn’t give her career-making “Monster” verse its proper due, the rapper settled into a groove with crowd favorites “Moment 4 Life” and “Super Bass” as she twerked and strutted across the Barbie Dreamhouse-inspired stage. She ended the medley with a fun and frisky take on her Rick James-sampling “Super Freaky Girl,” a deserved song of summer if we’ve ever heard one.