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It’s a marvel that something that feels so inert should have so much frenetic action. Shot in high-definition video with a murky brown palette (perhaps to suggest tea-stained porcelain and teeth), the film is both underwritten and overedited. Many of the scenes seem to have been whittled down to the nub, which at times turns it into a succession of wordless gestures and poses. Given the generally risible dialogue, this isn’t a bad thing, despite Mr. Morgan’s previous credits (notably “The Queen”). Ms. Portman’s eyes, Mr. Bana’s hands and Ms. Johansson’s chin all receive vigorous workouts.
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