For my visual analysis, I went to the Getty Museum. While looking for a piece of art to analyze, one piece in particular stuck out to me, mainly because of its similarities to a piece I remembered from class, Rogier van der Weyden’s Deposition. The piece, by an otherwise unidentified “follower of Rogier van der Weyden” definitely invokes strong emotions, but unlike van der Weyden’s original, in which the dead Christ seems to be the emotional center of the painting, this version seems to have two centers: One on Christ himself and the other, confusingly, slightly beyond his feet. The use of space and color in the second version seem clearly inferior to that of van der Weyden’s Deposition, and as this piece of art was produced some 55 years after, in which time painting techniques had certainly progressed, I can only view it as being inferior to van der Weyden.