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The Loktar kinkagou rumor thread

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O rly? How many levels? Describe in detail each of the levels.

The Circles of Hell
Virgil guides Dante through the nine circles of Hell. The circles are concentric, representing a gradual increase in wickedness, and culminating at the center of the earth, where Satan is held in bondage. Each circle's sinners are punished in a fashion fitting their crimes: each sinner is afflicted for all of eternity by the chief sin he committed. People who sinned but prayed for forgiveness before their deaths are found in Purgatory – where they labor to be free of their sins – not in Hell. Those in Hell are people who tried to justify their sins and are unrepentant. Furthermore, those in Hell have knowledge of the past and future, but not of the present. This is a joke on them in Dante's mind because after the Final Judgment, time ends; those in Hell would then know nothing.


[edit] First Circle (Limbo)
Here reside the unbaptized and the virtuous pagans, who, though not sinful, did not accept Christ. They are not punished in an active sense, but rather grieve only their separation from God, without hope of reconciliation. Limbo shares many characteristics with the Elysian Fields; thus the guiltless damned are punished by living in a deficient form of Heaven. Without baptism ("the portal of faith," Canto IV.36) they lacked the hope for something greater than rational minds can conceive. Limbo includes green fields and a castle, the dwelling place of the wisest men of antiquity, including Virgil himself, as well as the Islamic philosophers Averroes and Avicenna. In the castle Dante meets the poets Homer, Horace, Ovid, and Lucan and the philosophers Socrates and Aristotle as well as the Roman general and politician Julius Caesar. Interestingly, he also sees Saladin in Limbo (Canto IV). Dante implies that all virtuous pagans find themselves here, although he later encounters two in heaven and one (Cato of Utica) in Purgatory.

Beyond the first circle, all of those condemned for active, deliberately willed sin are judged by Minos, who sentences each soul to one of the lower eight circles by wrapping his tail around himself a corresponding number of times. The lower circles are structured according to the classical (Aristotelian) conception of virtue and vice, so that they are grouped into the sins of incontinence, violence, and fraud (which for many commentators are represented by the leopard, lion, and she-wolf[4]). The sins of incontinence — weakness in controlling one's desires and natural urges — are the mildest among them, and, correspondingly, appear first.
 
Second Circle

"Gianciotto Discovers Paolo and Francesca" by Jean Auguste Dominique Ingres.Those overcome by lust are punished in this circle. They are the first ones to be truly punished in Hell. These souls are blown about to and fro by a violent storm, without hope of rest. This symbolizes the power of lust to blow one about needlessly and aimlessly. In this circle, Dante sees Semiramis, Dido, Cleopatra, Achilles and many others who were overcome by sensual love during their life. Dante is informed by Francesca da Rimini of how she and her husband's brother Paolo committed adultery and died a violent death at the hands of her husband (Canto V).
 
Third Circle

Cerberus guards the gluttons, forced to lie in a vile slush made by freezing rain, black snow, and hail. This symbolizes the garbage that the gluttons made of their lives on earth, slavering over food. Dante converses with a Florentine contemporary identified as Ciacco ("Hog" — probably a nickname) regarding strife in Florence and the fate of prominent Florentines (Canto VI).
 
Fourth Circle

Those whose attitude toward material goods deviated from the desired mean are punished in this circle. They include the avaricious or miserly, who hoarded possessions, and the prodigal, who squandered them. Guarded by Plutus, the miserly group pushes great rocks towards the center of the circle; the wasters must take the rocks back to their own side of the circle (Canto VII). This is an antithetical punishment; the sinners must do the opposite of the actions they carried out in life.
 
Fifth Circle

The Stygian Lake, with the Ireful Sinners Fighting
William BlakeIn the swamp-like water of the river Styx, the wrathful fight each other on the surface, and the sullen or slothful lie gurgling beneath the water. Phlegyas reluctantly transports Dante and Virgil across the Styx in his skiff. On the way they are accosted by Filippo Argenti, a Black Guelph from a prominent family (Cantos VII and VIII). All the wrathful throw themselves against Argenti, who is torn apart.

The lower parts of hell are contained within the walls of the city of Dis, which is itself surrounded by the Stygian marsh. Punished within Dis are active (rather than passive) sins. The walls of Dis are guarded by fallen angels. Virgil is unable to convince them to let Dante and him enter, and the Furies and Medusa threaten Dante. An angel sent from Heaven secures entry for the poets (Cantos VIII and IX).
 
Sixth Circle

Heretics are trapped in flaming tombs. Dante holds discourse with a pair of Florentines in one of the tombs: Farinata degli Uberti, a Ghibelline; and Cavalcante de' Cavalcanti, a Guelph who was the father of Dante's friend and fellow poet Guido Cavalcanti (Cantos X and XI). The followers of Epicurus are also located here (Canto X).
 
Seventh Circle

Lower Hell, inside the walls of Dis, in an illustration by Stradanus. There is a drop from the sixth circle to the three rings of the seventh circle, then again to the ten rings of the eighth circle, and, at the bottom, to the icy ninth circle.This circle houses the violent. Its entry is guarded by the Minotaur, and it is divided into three rings:

Outer ring, housing the violent against people and property, who are immersed in Phlegethon, a river of boiling blood, to a level commensurate with their sins. The Centaurs, commanded by Chiron, patrol the ring, firing arrows into those trying to escape. The centaur Nessus guides the poets along Phlegethon and across a ford in the river (Canto XII). This passage may have been influenced by the early medieval Visio Karoli Grossi.[5]

The Wood of the Self-Murderers: The Harpies and the Suicides, c. 1824-7. William Blake, Tate. 372 × 527mm.Middle ring: In this ring are the suicides, who are transformed into gnarled thorny bushes and trees. They are torn at by the Harpies. Unique among the dead, the suicides will not be bodily resurrected after the final judgment, having given their bodies away through suicide. Instead they will maintain their bushy form, with their own corpses hanging from the limbs. Dante breaks a twig off one of the bushes and hears the tale of Pier delle Vigne, who committed suicide after falling out of favor with Emperor Frederick II. The other residents of this ring are the profligates, who destroyed their lives by destroying the means by which life is sustained (i.e. money and property). They are perpetually chased by ferocious dogs through the thorny undergrowth. (Canto XIII) The trees are a metaphor; in life the only way of the relief of suffering was through pain (i.e. suicide) and in Hell, the only form of relief of the suffering is through pain (breaking of the limbs to bleed).
Inner ring: The violent against God (blasphemers), the violent against nature (sodomites), and the violent against order (usurers), all reside in a desert of flaming sand with fiery flakes raining from the sky. The blasphemers lie on the sand, the usurers sit, and the sodomites wander about in groups. Dante converses with two Florentine sodomites from different groups. One of them is Dante's mentor, Brunetto Latini. Dante is very surprised and touched by this encounter and shows Brunetto great respect for what he has taught him. The other is Iacopo Rusticucci, a politician. (Cantos XIV through XVI) Those punished here for usury include the Florentines Catello di Rosso Gianfigliazzi, Ciappo Ubriachi, and Giovanni di Buiamonte and the Paduans Reginaldo degli Scrovegni and Vitaliano di Iacopo Vitaliani.
 
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